Works

In the summer of 2015–16, Díaz walked the neglected margins of Copenhagen collecting specimens from wastelands, abandoned lots, and forgotten edges of the city.

What happens if the mirror does not reflect a logical reality? Drawings, installations, and objects — hair, mirrors, glass, light.

Frankfurt RheinMain, Germany. Selected for LUMINALE Biennale alongside Bill Viola and Olafur Eliasson. A plasma video performance in a historic church.

In a brief moment, your idea can appear complete and whole. A free-floating soap bubble 2–5 metres in diameter, developed with Aalborg University's physics department.

A light sculpture surrounded by a dense root system in miniature. As brightness intensifies, oversized shadows transform the surrounding walls and ceilings.

A circle of white light breaks like a prism when the viewer steps inside — 52 contrast-coloured shadows radiate outward in a star shape.

A multimedia installation creating an amazingly realistic impression of the Coliseum in flames — illustrating the fragility of even the greatest monuments.

Painting with ash and acrylic in alchemical layers — motifs ranging from geological processes to lava, coral reef, and perpetual transformation.

Framed compressed ash and charcoal behind armoured glass — man-scaled pieces where the viewer's reflection merges with layers of burnt matter.

Blood as symbol of life, death, and cultural identity — examining its mythical aura against its status as a global commodity.

A 9-metre video-balloon of the Venus of Willendorf — fertility, resource depletion, and the uncanny power of an out-of-scale single breast.

Essay on City on Fire projected in Gdańsk on the 70th anniversary of WWII — where Walter Benjamin's dialectic image meets fire.

Three weeks of December in West Berlin — a fire illuminating Haus Hardenberg nightly, questioning whether everything can burn down.

Projections of violent fire onto the vaults and altar of the Church of Our Lady — marking the bicentennial of the English bombardment of Copenhagen.

On fire's dual nature across mythology, religion, and art history — from the Holy Flame of Jerusalem to Goethe's Mephistopheles.

New Year's Eve, Rome. Flames projected on the Trevi Fountain — symbol of destruction, cultural renewal, and the Futurist dream of starting afresh.